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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

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Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?

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Michel has lived in a psychiatric hospital for many years. Blaise Othnin-Girard is fascinated by this figure outside any canon, including those to which a forced isolation would like to reduce him. Art, love, friendship in Michel's words seem different. "It seems to me that paradise ... is a love that pierces your belly and makes you really happy ... a feeling like an explosion of love in a faraway place. It's a place where you can enjoy, paradise." The director has not seen Michel since the therapeutic apartment in Mâcon in 2001, where he lived before some problems arose. He finds him now at the hospital in a Complex Psychiatry Unit: a closed and silent sector. His words reveal themselves between pain and resistance, humor and lucidity, hinting at a love affair between impeded bodies.